A detailed analysis of Bryusov's poem "Creativity"
The analysis of Bryusov's poem is better to begin with a brief information about the poet, especially since he is an outstanding personality.
Valery Bryusov broke into the world of poetry at the endnineteenth century as a representative of the "young", a new poetry (symbolism), created by the example of the French Verlaine, Malarme and Rimbaud. But it was not only symbolism that interested the young poet at that time. Somehow he puzzled the public with his shocking monotony about his pale legs, thus claiming the artist's right to unlimited creative freedom.
For the fortune of connoisseurs of poetry, Bryusov does notlimited only to experiments: he developed his poetic talent, filling the works with historical events and images from his own life. Often the heroes of his poems, he made strong personalities, characters in history or myths, being influenced by the philosophy of Nietzsche. The appearance of more and more collections was an illustration of how the poetic skill of Bryusov grew and strengthened.
But the poet valued the freedom above all else. In his early poem called "Creativity" there is no specific hero, or rather, he is a contemplative. And with his eyes the reader sees what is happening.
But an analysis of Bryusov's poem "Creativity", asand any other work, it is necessary to begin with the indication of the day and year of its creation. It was written on the first of March 1895 and was included in the collection of "young" poems "Masterpieces".
An analysis of Bryusov's poem once again confirms the author's main idea that the artist is free to choose a topic, and it can even become a mystical process of creation.
The fact that the work belongs to symbolism,says a lot. For example, the vocabulary used by the author for the image of strange, unusual images: the blade of latency (the leaves stretched out in the form of leaves), like purple bizarre hands on the wall of the enamel draw lines and sounds without disturbing "ringing-sound silence".
The reader is presented with a strange fantasticpeace: there arise from nowhere transparent pavilions ("stalls"), "uncreated" creatures, shining in the light of two moons, or rather, the azure moon and "naked" (without clouds) month. And the whole process is shrouded in secrets and dreams.
Analysis of the poem by Bryusov revealed the use ofsuch expressive means as color and sound recording. In the text, purple and azure colors seem to be present, and the enamel wall for some reason is associated with white, although, apparently, it meant the quality of its surface - smoothness. The sonority of the frequently repeated "l", "p", "m" and "n" is designed to create a sense of slowness, smoothness of movements, as if everything happens under water. The music of this poem is fascinating!
It is compositionally constructed in an original way: the last line of the quatrain becomes the second in the next four lines. An analysis of Bryusov's poem shows that the lines, repeating themselves, adhere to each other, creating a continuous stream of fantastic consciousness and feelings.
Bryusov poem "Creativity" unfoldsslowly, as if to say that nothing is created at once, one can never know anything for sure. The images are unsteady, they are fuzzy, they are gradually discerned by the lyrical hero. Perhaps this painful process of searching for the essence is called the "flour of creativity"?
All the poems of Bryusov, devoted to the processcreation, one main idea unites: creativity is infinite and free, it can not be understood, it is afraid of clarity and loud-spokenness. As soon as the illusory image turns out to be in the bright light under the eye of the inquisitive critic, it immediately disintegrates, giving no opportunity to study it closely and carefully.